- November 24th, 2013
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Posts Tagged ‘compositing’
Just finished a motion graphics project for rc aerial photography & cinematography company Got Aerial last week. This was my first project working with the Element 3D plugin for After Effects from VideoCopilot.
First impressions working with the plugin are definitely promising. The biggest issues I ran into depend on what 3d tracker you employ to work with Element. I had some solid tracks with the 3D Camera Tracker plugin that ships with AE CS6, but, too often, the shots proved to be a little too much for the tracker to deliver anything solid due to the constant changes in perspective. Ultimately, I relied on The Foundry’s CameraTracker for most of the shots with very reliable results. The reel title mountain ridge flyover, however, proved to be too much for either the 3D Camera Tracker or the Foundry CameraTracker. For this particular case, I found the best results with PfTrack which provided me with a rock-solid track that I was able to use for both the Element 3D Text and the main title “The Art of Flying” which I created in Cinema 4D. Originally, I had created the title with the Element plugin, but, due to some strange artifacting, I switched to C4D to solve the issue. Overall, it was a fun and challenging project and an excellent opportunity to log my first project run with Element & AE CS6!
Just finished a series of videos for the Educational Leadership & Policy Analysis doctoral program at ETSU’s College of Education. All videography was provided by Jason Jones and Zion Madden of the ETSU Office of eLearning and talent by Dr. Bethany Flora, Dr. Don Good, and ETSU president Dr. Brian Noland. I performed all post-production duties with Final Cut, Audition, and After Effects.
I came across this animated video about a week ago and thought I’d share it. Really well done piece for a good cause!
I finally got the time to get this one finished – at last. Carter Legacy a mini-documentary that tells the story of how East Tennessee State University was founded and the role its benefactor, George L. Carter, played in making the school’s founding a reality. John Fleenor, Media Collections Manager at ETSU’s Archives of Appalachia, provides narration of a story by Ned Irwin, University Archivist. David Currie, Josh Elliot, and Jason Jones assisted with the live action shoot and all still photography was provided by the University Photo Lab, the Archives of Appalachia, and the website Johnson’s Depot. Thanks & props also goes to ETSU Digital Media Services who produced the project and aided in the distribution. I served as director, editor, visual effects artist, and producer utilizing Premiere, After Effects, Photoshop, and Audition on a Mac & PC.
This project required a massive amount of Photoshop & After Effects work for the 2D/3D shots which I’ll go into a little more in a future post. It will be featured during ETSU’s Centennial Celebration next month. Check it out below.
It’s no secret I’m a big fan of Boardwalk Empire, but, I’ll have to admit, they slipped in more visual effects shots of old Atlantic City and the Boardwalk, itself, than I realized. Check out all the work that went into digitally re-creating the sights and sounds courtesy of Brainstorm VFX.
Came across this breakdown reel the other day and was very impressed.
Of course, that hooked me and I checked out the movie itself. Good stuff & it turned out to be similar in style to Cloverfield – that is, if Cloverfield were set in Norway and was about trolls . . . Regardless, it’s a great film and, despite the PG-13 rating, delivers a fun and exciting ride. Check it out and be sure to give the makers some pub & buzz!
Official site here.
Finally got this one online so I thought I’d say a few words about it. This video was created as a PSA for the ETSU College of Pharmacy. The script was written by the pharmacy students who also seved as the talent. On the production side, I was assisted by Leena Agrawal of the Office of eLearning, and in post by Rob Russell who provided the main voiceover as well as the vending machine “voice.” I used After Effects, Mocha, Illustrator, Photoshop, and Audition to complete the post duties.
I remember going to the the old school Harry Hamlin flick when I was a kid, and, when I heard about the remake, I thought the same as a lot of people – BAD IDEA. Then I saw it – sans 3D on Blu-Ray – and I did a complete 180. Maybe it didn’t hold up for some critics, but I was more than pleased. So, just in case you were wondering, here’s some of how they made it happen.
Man, it must be awesome to have a team like that.